Trailer Analysis: Tangled

I make no attempt to hide my love of animated films. The first movie I remember seeing in theaters is Disney's Beauty and the Beast. They've always held a spot in my favorite movies. And with the likes of Wall-E, Up (okay...Pixar movies), The Princess and the Frog and How to Train Your Dragon - I thought we were bouncing around in a golden age of animation. So how fitting that the tale of the girl with the long golden hair should work it's way into my golden age.

I always thought the story of Rapunzel was pretty simple, so naturally, I was interested in seeing how they'd do it. Then they released these stills and I was through the moon excited.



The first tip off should have been that Mandy Moore was cast as the voice of Rapunzel. But, I kept my chin up....



And then they released the trailer. Never in the history of movies has my expectations of a film shattered so quickly. Catch the trailer here, and find my commentary after the last beautiful still.



What you just watched was indeed for a Disney movie, as a follow up to the Oscar nominated Princess and the Frog. No, that wasn't a Shrek movie, although had they titled it Shrek and Rapunzel down a 5th of Vodka (see what I did there? Cleverly incorporating the sequel number into the title) I wouldn't have batted an eye. I'll need a fifth to get through this.

Here's what went wrong:

The princess: Let me break this down for you: Rapunzel is a damsel in distress. She is locked in a tower, and thus has not gotten a haircut, resulting in some long ass hair. This is not that Rapunzel. This is the female empowerment Rapunzel. A slightly superhero-esque version of the princess. Her hair has fucking powers! With powers like that, why does she need some strapping prince to rescue her? And without that need, pray tell, what is the point of the movie?

The prince: Who is this guy? Cocky, self-centered, seems to me like he's the perfect foil for our heroine. But Disney has forgotten, in their desire to make the female strong-willed, that boys watch Disney movies too. This is not the type of guy they should grow to be. I know they've got other movies too, but come on. This guy is a joke. And the main character (as is appears in the trailer). Give me someone real.

The style: After all the hubbub about returning to their roots with hand drawn animation they give us this? You're joking me. This is a classic story and deserves to be presented as such.

The music: Reminiscent of the Smash Mouth cover of I'm a Believer in Shrek, the use of a pop rock soundtrack is wildly out of place in the medieval setting. Stick with catering the soundtrack to the era, Disney, a la the Jazzy New Orleans sound of The Princess and the Frog.

The title: Why not just call it Rapunzel? There is no brand recognition with Tangled. If it's an attempt to make the story relevant and hip, it's painfully amiss.

Mind you I had to watch this trailer several times to dissect it. Punishment I wouldn't even put my worst of enemies through.

It's the most wonderful time of the year...

Awards season is rolling around and I have some thoughts.... (oh, yeah.... and thanks to Lauren Johnson - I'm back [again].)



Best Picture: This ones tough. Even tougher is picking out the nominees. There are so many different directions this can go. There are some givens - Up in the Air, Inglourious Basterds, Up, Hurt Locker (which I still REALLY need to see). Hopefully, An Education makes the nominee list. It would never win, but deserves the recognition. Lesley and I were messes throughout that little picture.

What Should Win: Inglourious Basterds - I can't think of a single thing wrong with it, except maybe... nope. Actually. I've got NOTHING.
What Will Win: Up in the Air - It's just too topical to not win. It came out at the right time. Granted, most Academy members don't know what it's like to be unemployed right now... but that's another story entirely.

Best Director: The home of your real best picture. Now that there are 10 best pictures, the 5 with director nominations will be your true contenders. I think Pete Docter will slide in here for Up. Lee Daniels. Quentin. Kathyrn Bigelow and Jason Reitman. That's right James Cameron... I think theres only room for one animated director and it's Pete Docter.

Who Should Win: Kathyrn Bigelow. Give it to her! Break the barrier. If any female director deserves it - it's her. Slap James Cameron in the face. Do it.
Who Will Win: Jason Reitman. He was able to get great performances (minus Anna Kendrick) out of not only his actors, but also REAL people. That touch is the icing on his directorial cake.

Best Actor: Its been kind of a so-so year for leading men, even more so for leading women. More on that later. Also, I haven't seen a good number of these pictures (mainly because the main actor seems to be the only thing going for a lot of them.)

Who Should Win: I've heard nothing but great things about Jeremy Renner's performance in Hurt Locker. I've also heard Colin Firth is unstoppable in A Single Man. That being said - he'll never win. An actor playing a gay man won LAST YEAR.
Who Will Win: Jeff Bridges - He is always great and in a story that seems like a country version of last year's "The Wrestler," the academy might award Mickey Rourke through Jeff Bridges. I'd consider Jeff Bridges more deserving, anyways.

Best Actress: Don't make me choose! I can tell you who it won't be. It won't be Sandra Bullock (but PLEASE PLEASE PLEASE nominate her. She deserves it for her completely different style of comedy exhibited in The Blind Side.) It won't be Gabby Sidibe. Don't get me wrong, she was great. But if were going to pick a breakout star of the year it's going to be -

Who Should Win: Carey Mulligan. Lesley and I were on the edge of our seats watching her in a drama. A drama! She had us right in the palm of her hands.
Who Will Win: Meryl Streep. I love her, and she was spot on as Julia Child. She hasn't won in years and in a year of weaker performances- this might be the time to award her again.

Best Supporting Actress: This is always one of my favorite categories. Sorry Lauren, I absolutely hated Anna Kendrick. I thought she was annoying. Not worth my time, or this award. If I was to give it to someone in Up in the Air - it would be Vera Farmiga- because in addition to tricking George Clooney and Anna Kendrick... she was able to trick me. I'd also love to see Melanie Laurent nominated for Inglourious Basterds. Not sure if she'll make that cut though.

Who Should and Will Win: Monique. I dare any actor to compete. I literally screamed during Precious because of her. A grown man behind me was bawling because of her. No one else even comes close. If I could giver her 5 Oscars- I would.

Best Supporting Actor: Another case where I haven't seen most of the contenders. I think the Academy will do the "reward a great actor for their years of service" thing with the leads this year - which leaves this category open for an ACTUAL great performance. That of-

Who Should and Will Win: Christopher Waltz for being the snarkiest, most loveable/hateable Nazi I've ever encountered on screen. He oozed sinister charm. I loved it (and it will be a chance for the Academy to recognize the movie - which they'll do in much fewer places than it should)

Best Original Screenplay: This was a great year for original screenplays. Definitely nominated will be Up. It won't win this award either. Don't worry- Best Animated Feature is still yours Pixar.

What Should Win: (500) Days of Summer. I read the script. It's great. The play on time is incredible. The characters, as much as I'd love to credit Zooey Deschanel and Joseph Gordon Levitt - are on the page. What Will Win: Inglourious Basterds. Don't get me wrong- I'm 100% okay with this. And since Quinten won't win Picture and won't win Director - they're going to give it to him here.

Best Adapted Screenplay: I usually like to read the source material to accurately judge the quality of the adaptation. That being said- the movie also needs to stand as a movie on it's own. Sorry Lovely Bones.

What Should Win: An Education. It's the perfect little movie.
What Will Win: Precious. The book is tough. The movie is tougher.